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With fur near snowy gray, she was most certainly on the short side for a Burmecian. She stood only 5 feet tall. She was also not the most masculine in build. She had a thin, but lean frame and her weight was about 125 pounds minus her armors. Elegant muscle etched along from her digitigrade feet to her well defined jaw structure. Her eyes were a soft green, innocent and calm as those of a doe, but cautious and cunning as those of feline quality. Her hair is ashen red in coloration, bits of brown highlighting it here and there. It is left to hang freely, and she seems more comforted than bothered when a strand or two falls in front of her eyes. She simply brushes it aside with a faint smile.
Near the base of her ears are three sets of piercings; one of the sets are hematite hoops, and the other two a set of studs made of the same stone. All sets are equally well polished. The only other hint of jewelry is a well kept sapphire ring, simple yet elegant. This token suggesting that there may be another of her kind, even though with its history is highly unlikely. She now wore the ring around her neck, on a plain silver chain. The nails at the ends of her slender fingers were kept filed to an opinionated point, but those on her toes were less so, making sure that they were short enough for an easy landing. She is often found fidgeting with the ring when deep in thought, or running a finger over its jewel longingly. There is also always found a small round bell affixed to her tail by a rich purple ribbon, most kept sorrowfully silent unless her mood was found to be joyous.
Her attire she’d often keep as close to tradition as possible, resembling the once revered Dragon Knights that are now often only seen with the imagination, and the imagery of books. Though, much like the original, there was also much that differed. The colors were much brighter, but also much more tranquil. Instead of bright reds and oranges, she bore vibrant purples and blues. Her coat and hat were a deep violet, made of synthetic and rain resistant cotton like material. The hat she often kept fastened at her side rather than on her head, especially when the rain was lacking, had a small set of blue draconic wings. Deep blue etched around the edges of her coat’s collar. The shoulders held metal plates, more ornamental that for protection, and the right shoulder held a simply branded coat of arms. It was colorless due to its etched state. The escutcheon displayed was broken into quarters; the top left bearing what seemed a simple lance, the bottom right a cross of St. James, nothing too fanciful. A leather strap about her shoulders held a strange but effective spear tightly to her back when it was not found snugly grasped in her hand. She’d prefer it stay put in its holder, as contrary to most Burmecians she was not fond of war, but rather its arts as a form of protection. Truth is told she was fonder of music and dance, much like the long lost Cleyrans. Around her neck, tucked neatly within the collar, is a faint blue scarf made of fine silk. A leather strap bound her coat tightly to her, but was most often left unfastened as for easy access to what lay underneath. The sleeves of her coat were lightly bound with cords. Sometimes a musky multicolored cord bound them, which she seemed over protective of, other times they were held with soft azure ones. Under her coat she wore a light blue shirt and matching breaches, accompanied by a light weight chain plate tunic. Her hands were most commonly found bare, as she seemed to think she held a better grip that way. Her feet, however, were always covered by tight leather, usually with metal studs on the outer most sides, helping with the spring effect in her jump that Burmecians are most famous for. These footings left only the toes bare, which would make for a soft landing.
As far as weaponry would go, her most commonly seen weapon was that of a long spear. Its design was most peculiar, as it had two short prongs, and an extended and rather jagged longer one in the center. A sapphire was tightly set between the three blades, directly below the longest. Farther down was another set of odd axe like blades, these holding emeralds and rubies within each of the blades themselves. Much else of the spear was plain, the shaft leading downward to an abrupt stubby end. Inside her coat is where the real fun would be had, as many unseen weaponry hung silent within. On either side of the innings of her coat could be found many vials of various sickly colors, most were random shades of green. Accompanying these many vials were several short daggers, most probably for throwing at a distance, and kept thin, but reliable as for precision. On the underside of one of her sleeves was kept a longer dagger set in snaps, more for protection than anything and she’d hope never to have to use it. Also to be found around her belt were two small bags, one most certainly for coinage, the other, who branded a red cross, obviously for aiding the ill.
War garb aside, when not armed for battle, though a rare occasion it would be, she is often seen in a relaxed set of clothing. The colors, however, matched the previous attire remaining a set of soft purples and tranquil blues. The top somewhat resembled a halter top, strapless on one side and either top and bottom were lined in dark blue around its hem. The left side was held by a single purple ribbon, fixed there by a cobalt ring. There were darkly colored amethyst and sapphire beads on either side of the breast, and set in the middle as well. Just below the breast hung two hematite rings with silken blue ribbons freely dangling upon them. The waist of her skirt was lined in dark blue, the aforementioned beads hanging in place at either hip, and just below the belly button. The tranquil purple skirt split on either side at the legs and didn’t stop until it reached near the waist. Her right arm would remain bare, but her left arm was bound in purple leather certainly dyed to hold that appearance.